Drop Sofa by Flexform Mood
A small collection of remarkable success composed of a low chair without armrests and a settee with an original bean-like shape, both on a solid wood base with comfortable padding.
The chair has an elegant T-shaped back that curves around the seat. The settee features the same gracefully curved design.
The covers in leather or fabric, combined with the variety of wood finishes, give this collection outstanding versatility of image, making it ideal for both private residences and public spaces.SHOW MORE SHOW LESS
|Lead time:||12+ weeks|
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The Flexform MOOD collection operates in an area of classic-contemporary tastes. It is a world with affinities to that of Flexform in terms of quality and elegance, but with more eclectic, multilingual stylist research, capable of inserting codes from the past through a process of simplification.
Mood shifts between retro and Deco, removing embellishments and stylistic redundancy through careful deployment of an aesthetic of subtraction. The refinement of the details, the fabrics, the finely crafted natural wood is a constant presence, throughout the collection. Mood plays with the forms of memory.
The fabrics conserve a range of warm tones, with bright colorful accents. The Mood world takes its inspiration from the beautiful furnishings produced in Europe during the last century, reinterpreted to update the image of sofas, armchairs, tables, beds, lamps.
The wide range of types (sofas, armchairs, chairs, ottomans, chaises longues, credenzas, wardrobe cabinets, chests of drawers, tables, end tables, beds, lamps) makes Mood an ideal choice for the residential and contract markets, hotels and lounges.
Mood products are found today in elegant public and private spaces all over the world, from a penthouse in Singapore to the halls of hotels in Hamburg or Phuket.
About the designer
Roberto Lazzeroni was born in Pisa, the town where he has chosen to live and to work. His professional training is the result of studies – Art and Architecture in Florence.
Talking about his own projects, Lazzeroni uses the expression of “sentimental design”; it is indeed easy, even for an untrained eye, to see the tension between past and future in this works.