Judit Dining Chair by Flexform Mood
Designed by Roberto Lazzeroni for Flexform Mood.
With or without armrests, the graceful Judit dining chair reveals a vaguely retro influence, emphasized by its elegant base and legs in solid ash, stained in various shades.
The internal shell in padded structural polyurethane, covered with a protective laminated lining, ensures enduring comfort.
510mm W x 550mm D x 890mm H
|Lead time:||12+ weeks|
|Delivery:||More info on delivery|
|Returns:||Read our full returns policy|
The Flexform MOOD collection operates in an area of classic-contemporary tastes. It is a world with affinities to that of Flexform in terms of quality and elegance, but with more eclectic, multilingual stylist research, capable of inserting codes from the past through a process of simplification.
Mood shifts between retro and Deco, removing embellishments and stylistic redundancy through careful deployment of an aesthetic of subtraction. The refinement of the details, the fabrics, the finely crafted natural wood is a constant presence, throughout the collection. Mood plays with the forms of memory.
The fabrics conserve a range of warm tones, with bright colorful accents. The Mood world takes its inspiration from the beautiful furnishings produced in Europe during the last century, reinterpreted to update the image of sofas, armchairs, tables, beds, lamps.
The wide range of types (sofas, armchairs, chairs, ottomans, chaises longues, credenzas, wardrobe cabinets, chests of drawers, tables, end tables, beds, lamps) makes Mood an ideal choice for the residential and contract markets, hotels and lounges.
Mood products are found today in elegant public and private spaces all over the world, from a penthouse in Singapore to the halls of hotels in Hamburg or Phuket.
About the designer
Roberto Lazzeroni was born in Pisa, the town where he has chosen to live and to work. His professional training is the result of studies – Art and Architecture in Florence.
Talking about his own projects, Lazzeroni uses the expression of “sentimental design”; it is indeed easy, even for an untrained eye, to see the tension between past and future in this works.