DNA Chill Bed by Gandiablasco
Designed by José A. Gandía-Blasco
The DNA chill bed reinterprets the play of light and shadow of these horizontal geometries present in the works of some Japanese architects and in Mediterranean shutters.
Take a nap, read a good book in the light of day, quietly lying on the chill bed, enjoy life outdoors alone or with someone…
It is a designer bed that expresses the Mediterranean lifestyle.
The DNA outdoor bed is made with anodised or thermo-lacquered aluminium profiles in bronze, white, anthracite, sand and black on which cushions and mats filled with polyurethane foam covered with water-repellent fabric rest.
Finish:
Anodised or thermo-lacquered aluminum
Wood effect aluminium
Polyurethane foam covered with water-repellent fabric
Outdoor upholstery
Dimensions:
1980mmW x 1000mmD x 450mmH
1980mmW x 1400mmD x 450mmH
1980mmW x 2000mmD x 450mmH
1980mmW x 1700mmD x 450mmH (Double Twin)
SHOW MORE SHOW LESS$5,830.00
| Brand: | Gandiablasco |
|---|---|
| Lead time: | 12+ weeks |
| Delivery: | More info on delivery |
| Returns: | Read our full returns policy |
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Gandiablasco
Passion for life outdoors, a dream come true on the edge of a cliff north of Ibiza. Our first outdoor furniture collection’s elemental and architectural geometry transcended borders thanks to its ability to respond to canons of timelessness and universality.
Its refined, purely architectural design, made of aluminium profiles combined with polyethylene, opened up market niches that didn’t exist until then, confirming the company’s expansion to every continent. The essential design of architectural lines defines the personality of GANDIABLASCO’s furniture and pergolas collections, together with the concept of extensive collections.
More than furniture, these are fresh and elegant products that complement each other to create environments where one can enjoy the outdoors, Mediterranean-style.
About the designer
José A. Gandía-Blasco Canales
José Antonio Gandía-Blasco Canales was born in Ontinyent, Valencia. After studying law at the Valencia University, he joined the family business GANDIA BLASCO, a blanket manufacturer.
After travelling throughout Spain as a business agent, he began to take on responsibilities in the company. With the help of Marisa Gallén and Sandra Figuerola, designers, Gandía Blasco reshaped the image of the company. The current logo was created, the silhouette of a graceful kitten, as well as the first reversible design carpet collection, which later received the IMPIVA Award 1990 for innovation.
The building of his summer residence in Ibiza in 1996 and the need to furnish the house with outdoor furniture that would match the architectonic concept, took José A. to take a closer look at furniture design for the first time. In close collaboration with the architect, they developed the “Na Xemena” collection which is still the outdoor furniture reference of the company Gandia Blasco. The consolidation of this new product line contributed to the diversification strategy of the company.
In 1999 he inherited the company, and started with the definitive structural change.
José A. managed to lead the activities of a solvent family business towards the international benchmark it is today. Experimenting and innovating with materials and shapes, he has been able to turn the ideas of a lover of the Mediterranean culture into a brand image and lifestyle which are well known on the five continents.
José A. is not only president of the company but also the art director. He designed a large part of the furniture and textile collections that are being commercialised today by GANDIA BLASCO worldwide.
Urban furniture collections such as ‘Valencia’ (benches and wastepaper baskets), the outdoor furniture line ‘356’, which are both signed together with Pablo Gironés, the ‘Saler’ collection or accessories such as the daybed, torches, lamps, lanterns and candlesticks; carpets like ‘Mota 2’, ‘Círculos’, ‘Wall’, ‘Champiñones’, the duvet cover ‘Piedras’; all of them being products that can easily be identified with Gandia Blasco lifestyle.
